In Rome, Saints Basilissa and Anastasia, noble women who persisted in confessing the faith as disciples of the Apostles. The Emperor Nero had their tongues cut out and their feet lopped off, and then they were stabbed with a sword and attained the crown of martyrdom. – Roman Martyrology for April 15
In the time of Diocletian St. Anastasia suffered under the cruel and merciless control of her husband Publius, but she was much consoled and comforted by a Christian named Chrysogonus. Afterwards she was tortured at length by Florus, the Prefect of Illyricum, and finally tied to poles with her hands and feet stretched out while a fire was set all around her. Thus she achieved martyrdom on the island of Palmaria. – Roman Martyrology for December 25
Medieval lives of St. Anastasia, including the one in the Golden Legend, conflate elements from the stories of two different saints of the same name and same century. One is Anastasia of Sirmium, who was burned at the stake. The other is Anastasia of Rome, a disciple of St. Chrysogonus who was crucified and then beheaded. The conflated Anastasia in the Golden Legend and the Roman Martyrology is a Roman noblewoman who was both "tied to poles" and then burned at the stake, apparently an attempt to reconcile the different deaths in the two stories.
In Orthodox icons, the saint holds a small cross in her right hand and sometimes a small vase in her left, as at right. A hand cross is the usual symbol of martyrdom in Orthodox iconography. We also see it in the stone relief at right, originally from the Cathedral of St. Anastasia in Zadar, Croatia.
In other western images she sometimes holds a flame in her hand, either in a bowl (example) or directly on the palm of the hand, as in two sculptures in the Benedictine convent in Zadar, Croatia.1 The flame refers to Anastasia of Sirmium's death by fire. Rarely, the flame will be on a torch (example).
The Anastasia of the Golden Legend had been forced into a marriage that she would not consummate. Nevertheless, the second picture at right dresses her as a matron, in veil and wimple, rather than bare-headed like a virgin, as does this relief in the tympanum of the cathedral's west portal. She is similarly dressed in a 14th-century Book of Hours (third picture at right) and in a late 13th century French illumination Later images in the convent collection have her bare-headed with a book and palm branch.2
There is also a St. Anastasia the Patrician, a Byzantine lady-in-waiting of the 6th century who fled the court to live as a hermit in the desert. See Brock and Harvey.
Prepared in 2014 by Richard Stracke, Emeritus Professor of English, Augusta University, revised 2015-07-26.
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